post-industrial

dass sich in ihrer nächsten Umgebung immer Ratten befinden

he brings his powers of observation to the biological networks that surround all species

By Derek Walmsley

As we adapt to a new reality in which the urgency of the COVID crisis recedes in our memory

Language Scraps 02: Mark E. Smith’s Handwriting and the Typography of The Fall Moore post-industrialIn this essay Paul Wilson views The Fall through a typographiuc lens and explores their visual identity as propelled and produced by Mark E. Smith. Mark E. Smiths handwriting became part of The Falls visual identity: a typographic signifier of and for The Fall. His attitude towards the development and articulation of a visual identity for The Fall, and in particular the use of his handwriting, reflects his position towards The Falls sonic identity.