which he visits in pieces that explore his grandfather's Christian church

the magical with the real

Windy watches the dancers and listens to the singers

" Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous

The year is 1959

Fatty Legs queer studies which he visits in piecesThe beloved story of an Inuvialuit girl standing up to the bullies of residential school, updated for a new generation of readers. Margaret Olemaun Pokiak Fenton's powerful story of residential school in the far North has been reissued to commemorate the memoir's 10th anniversary with updates to the text, reflections on the book's impact, and a bonus chapter from the acclaimed follow up, A Stranger at Home. New content includes a foreword from Dr.